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The secret weapon mic of the VO (Voice-Over) Industry!

The venerable MKH 416 is a compact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design. Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the MKH 416 can handle difficult exterior filming and reporting conditions without any difficulty. Supercardioid/lobe pattern, matte black finish, supplied with the MZW415 windscreen.

Did You Know.

The ultra-compact VP83 LensHopper is an all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environments.

• High sensitivity and low self-noise with wide frequency range for natural audio reproduct

The MKE 600 is a camcorder microphone that can master even the toughest video sound challenges. Its high level of directivity ensures that it picks up sound from the camera direction while reliably attenuating unwanted sound coming from the sides and rear.

Wind noise is reduced by the included foam windshield, while a switchable low-cut filter additionally minimises wind and handling noise. An optional blimp (foam windshield/hairy cover combination) reduces wind noise even more effectively, makin

Based on models originally developed for use in the broadcast of the Sydney Olympics in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or

This rugged all new system has separate capsules and powering modules that can be combined to produce a wide variety of microphones. A single module plus a few capsules can provide the user with a flexibility that would otherwise require investing in a number of individual microphones. It converts quickly from one type of microphone to another by simply threading together various system components. All capsules use back-electret technology for uncompromised quality. Output of all powering module

The AT8035 is a fixed-charge condenser microphone with a line + gradient polar pattern. It is designed for video production, broadcast (ENG/EFP) audio acquisition, wildlife recording and high-quality sound reinforcement. The microphone's highly directional polar pattern provides a narrow acceptance angle along with crisp, intelligible audio reproduction desirable for long-distance sound pickup and is suited for both boom & handheld use. The output of the microphone is a 3-pin XLRM-type connect

The VP82 is a professional shotgun microphone for use in A / V sound reinforcement.

Compact and lightweight with a wide aperture and excellent off-axis rejection, the VP82 is the affordable and reliable choice for camera-mounted broadcast and media production applications.

Did You Know....... many top record producers, when recording vocals, will use a dynamic mic for up close vocals and a heavily compressed shotgun mic about five feet away. It's true! The dynamic mic not only captures part of the

The ME 66 is a shotgun microphone head designed for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodized, scratch-resistant finish.

The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal 'AA' size 1.5 V battery or by 12 - 48 V phantom power. T

The SMX-100 is a high quality stereo shotgun microphone. Designed for broadcasters, videographers and audio professionals, the SMX-100 offers wide frequency response in a compact, lightweight camera-mount design. The M-S pick-up configuration means recorded signals are stereo and mono compatible making the SMX-100 an excellent choice for all video-based audio applications. External phantom power between 11 and 52 VDC is required to operate the microphone, which terminates with a hard-wired 5 pin

These "shotgun" style electret condenser microphones are designed to have the tightly focused pick-up pattern required in many live theatre, television, film and video productions and in live broadcasts. There are two models to choose from and either of them can be mounted on a mic stand with the included HM-30 stand adaptor or on a video camera with the optional HM-35C adaptor. A windscreen is included with both models.

• Narrow polar pattern gives outstanding resistance to outside noise interfere

Now you can record in stereo directly with Azden's SMX-10. The 177mm long, dual uni-directional, electret-condensor mic is powered by a single "AAA" battery (not included) and features a built-in cable with a 3.5mm stereo mini plug. Comes with a windscreen and camera hot-shoe mount.

• Designed for DSLR cameras
• Directional stereo microphone
• Wide frequency response
• Low-cut frequency filter
• Up to 1000 hours of battery life on AAA size
• 3.5mm mini-plug stereo output
• Comes with shock mount and windscreen

• Mic El

SGH-6 Shotgun Capsule
A "shotgun" is a long, cylindrical microphone which excels at picking up sounds in front of it while rejecting sounds to the sides and rear. Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don't want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic.

• Shotgun mics have a narrower focus (somet

Vidpro XM Series Professional Video & Broadcast Microphone Kits
Type: Uni-directional Condenser Shotgun Mic for Video Cameras and DSLRs

Did You Know....... many top record producers, when recording vocals, will use a dynamic mic for up close vocals and a heavily compressed shotgun mic about five feet away. It's true! The dynamic mic not only captures part of the final sound, but is also useful for giving the artist something to focus on, keeping a fairly consistent position relative to the shotgun

Perfect for the AG-DVX100B

Ideal mic for theater, sound reinforcement, and film/video recording

• Backplate electret condenser design Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz the acoustic interference tube introduces increasing directivity
• Built-in preamp/impedance converter
• Phantom powering (9-52 V) required. Foam windscreen and stand adapter included
• Ideal for camera mount applications

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or na

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Did You Know....... Many top record producers, when recording vocals, will use a dynamic mic f

With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera's internal microphone

The Audio-Technica AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica's shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and r

The Audio-Technica AT897 has been designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a professional style DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-

Crisp & intelligible pickup-far away or up close. In its "Tele" range setting, this cardioid condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. Designed especially for use with video cameras.

• 3.5 mm connector plugs into your video camera
• Two range settings: "Normal" for close & medium-distance; "Tele" for long-distance
• Includes camera-mount, stand

Pre-polarized shotgun condenser, battery powered.

This UEM81S is a pre-polarized condenser microphone used for stage, studio, video and broadcast applications. This mic is conveniently powered by one AA battery; it is not dependent on phantom power for operation. Exceptional sound quality, accurate response and ability to pick up from a distance, the UEM81S is designed to be aimed at the sound source to capture those "hard-to-get-to" places: theatre, stage, sporting events and outdoors.

With a uni