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The secret weapon mic of the VO (Voice-Over) Industry!

The venerable MKH 416 is a compact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design. Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the MKH 416 can handle difficult exterior filming and reporting conditions without any difficulty. Supercardioid/lobe pattern, matte black finish, supplied with the MZW415 windscreen.

Did You Know.

The MKE 600 is a camcorder microphone that can master even the toughest video sound challenges. Its high level of directivity ensures that it picks up sound from the camera direction while reliably attenuating unwanted sound coming from the sides and rear.

Wind noise is reduced by the included foam windshield, while a switchable low-cut filter additionally minimises wind and handling noise. An optional blimp (foam windshield/hairy cover combination) reduces wind noise even more effectively, makin

If you're doing sports or special events where you need to pin point audio, far away from the action, then this product is for you.

The JonyShot is a hand held or tripod mounted highly directional 24" parabolic microphone system. The JonyShot has two comfortable grips on either side of the dish making it easy to hand hold and aim. The bottom of the unit has a mounting plate with 1/4" threads for mating to a tripod for fixed or aimed shots.

The isolated microphone mount accepts most handheld or sho

The ultra-compact VP83 LensHopper is an all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environments.

• High sensitivity and low self-noise with wide frequency range for natural audio reproduct

The ME 66 is a shotgun microphone head designed for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matt black, anodized, scratch-resistant finish.

The K6 powering module is the heart of this Sennheiser professional modular microphone system and can be powered either by its internal 'AA' size 1.5 V battery or by 12 - 48 V phantom power. T

The Audio-Technica AT875R is designed for video production and broadcast (ENG/EFP) audio acquisition. Audio-Technica's shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and r

The VP82 is a professional shotgun microphone for use in A / V sound reinforcement.

Compact and lightweight with a wide aperture and excellent off-axis rejection, the VP82 is the affordable and reliable choice for camera-mounted broadcast and media production applications.

Did You Know....... many top record producers, when recording vocals, will use a dynamic mic for up close vocals and a heavily compressed shotgun mic about five feet away. It's true! The dynamic mic not only captures part of the

With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera's internal microphone

The AT8035 is a fixed-charge condenser microphone with a line + gradient polar pattern. It is designed for video production, broadcast (ENG/EFP) audio acquisition, wildlife recording and high-quality sound reinforcement. The microphone's highly directional polar pattern provides a narrow acceptance angle along with crisp, intelligible audio reproduction desirable for long-distance sound pickup and is suited for both boom & handheld use. The output of the microphone is a 3-pin XLRM-type connect

The SGM-1X Professional Shotgun Microphone is designed to provide quality audio for the videographer. Suitable for both camera-mount and boom mic applications, this hyper-directional, super-cardioid shotgun microphone has a wide frequency response, exhibits low noise and accepts up to 120dB SPL input levels. The 12.3in long microphone uses a single “AAA” battery that will last for over 1000 hours of use due to the mic’s extremely low current drain. The low-impedance XLR output allows for a balan

The MightyMic S microphone brings big sound from a small microphone. Don’t be fooled by the compact size. This is a high quality condenser microphone that does not need any batteries as it is powered by the device. So you never get stuck doing that big video shoot only to find out the batteries are dead. Just plug it into the headphone jack of your device. Then connect your headphones into the 3.5mm stereo headphone jack on the back of the microphone. While using the optional MoviePro App (IOS

Perfect for the AG-DVX100B

Ideal mic for theater, sound reinforcement, and film/video recording

• Backplate electret condenser design Below 500 Hz it functions as a hypercardioid microphone; above 500 Hz the acoustic interference tube introduces increasing directivity
• Built-in preamp/impedance converter
• Phantom powering (9-52 V) required. Foam windscreen and stand adapter included
• Ideal for camera mount applications

The MightyMic SLR microphone brings big sound from a small microphone. Don’t be fooled by the compact size. This is a high quality condenser microphone that does not need any batteries as it is powered by the camera. So you never get stuck doing that big video shoot only to find out the batteries are dead. Just plug it into the microphone jack of your DSLR camera. You can also use the Microphone with your Smartphone. Just check out the features of the MightyMic S for more info. It works with DS

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or na

Designed for video production and broadcast (ENG/EFP) audio acquisition, the AT8015 provides the narrow acceptance angle desirable for long-distance sound pickup, along with excellent sound rejection from the sides and rear of mic. The roll-off position reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.

Did You Know....... Many top record producers, when recording vocals, will use a dynamic mic f

The Audio-Technica AT897 has been designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a professional style DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-

Crisp & intelligible pickup-far away or up close. In its "Tele" range setting, this cardioid condenser is engineered to pick up dialogue and sound effects at a distance, while bypassing ambient noise such as traffic, air-handling systems, room reverberation and mechanically coupled vibrations. Designed especially for use with video cameras.

• 3.5 mm connector plugs into your video camera
• Two range settings: "Normal" for close & medium-distance; "Tele" for long-distance
• Includes camera-mount, stand

Pre-polarized shotgun condenser, battery powered.

This UEM81S is a pre-polarized condenser microphone used for stage, studio, video and broadcast applications. This mic is conveniently powered by one AA battery; it is not dependent on phantom power for operation. Exceptional sound quality, accurate response and ability to pick up from a distance, the UEM81S is designed to be aimed at the sound source to capture those "hard-to-get-to" places: theatre, stage, sporting events and outdoors.

With a uni

The pick-up pattern of the built-in microphone on camcorders and DSLR cameras is omni-directional, meaning that it picks up all sounds in every direction equally, no matter which direction you point the camera. The SGM-990 is a 6 Inch long directional, or “zoom” microphone with 2 switchable sound pick-up patterns, "Long" and "Short." Use "Long" to focus on your sound source or pick up sound from a distance. Use "Short" for when your sound source is close or covers a broader field. Both settings